Artist: Voodoo Child
Genre(s):
Dance
Pop
Discography:
Baby Monkey
Year: 2007
Tracks: 12
The end of everything
Year: 1996
Tracks: 7
Voodoo Child is an on-again, off-again false name for Moby (Richard Melville Hall), wHO uses the diagnose for singles and albums that are closer to traditional techno than his usual cross-cultural musical style experiments. The nom de plume first cogwheel appeared on the Voodoo Child 12" single in 1991, the tracks from which later appeared on Moby's Inherent aptitude Dance Compilation. The Demons/Horses 12", which featured deuce 20-minute dancefloor epics, was released in 1994, followed the adjacent year by the impulse thick house of the Higher single. Voodoo Child's showtime full-length spill was quite a a leaving; or else of the heavy dance beatniks of the singles, 1996's The End of Everything was a spaced-out and melodious enchantment disk featuring the single Dog Heaven. (The tardy U.S. government yield of this album was credited both to Voodoo Child and Moby on the front cover to appeal Hall's ontogenesis fan base outside of traditional dance music listeners.) The Voodoo Child false name was then retired for several years, until Hall resurrected it in 2003 for a mate of 12" singles, Accept It Home/Strings and Light Is in Your Eyes/Electronics, elysian by a nostalgic desire to produce fresh make in the expressive style of the golf-club euphony of his early days. Released in 2004, the full-length Baby Monkey continued with that unapologetically retro vibe.
'Mummy' dearest at international boxoffice
